The Scottish Link Years
Chapter 2
The Scottish Link Pipe Band (SLPB) came into being in
July 1995, with five pipers and four drummers, at a musical festival held in
the mountain resort of Campos do Jordão, state of São Paulo. The place and
occasion had been carefully selected by Cristiano Bicudo to attract powerful sponsors
that would ensure logistic support and the flow of more funds to the band in
the following years. British Airways, Johnnie Walker Red Label and Cultura
Inglesa were in their mighty sponsorship portfolio. This plan, as well as the
training programme, proved both so successful that the band doubled its size in
1996 and it considered traveling to Scotland to compete.
In August 1997,
the SLPB with a crew of fourteen players, made its debut at the grade 4 competition in Perth, and a
week later at the World Championships on Glasgow Green, the very first time a
South American band had competed at the Worlds. Even Drum-Major Ronaldo Artnic
competed in Perth! Competition results were understandably not good, but the
trip also included band workshops at the newly inaugurated Piping Centre, with
piping instructors Roddy MacLeod, Angus MacDonald, Jim MacLean and Dougie
Pincock. The drumming instructor was Ian Thompson (Power of Scotland). An
assessment of the band’s work was also made by Joe Noble and Iain MacLellan.
The workshops made all the difference. The sheer amount of information the band gathered and precious musical advice it got in that visit to Scotland was
gigantic, and pretty much shaped its musical work for the next years. And apart
from the serious stuff, there were also many moments of good humour. Cristiano recalls the way Angus MacDonald introduced him to
Roddy MacLeod. "Angus, who knew me since the
1992 lessons at the College of Piping, and in 1999 gave me excellent advice for
my P/M duties, said in his typical mood to Roddy “This is the gentleman who
started a pipe band in the jungle in Brazil!”. Not too far from the truth…"
The band would
return to Scotland two years later in 1999 for another round of Piping Centre
workshops and competitions, this time doing much better and finishing 8th
out of 26 bands in an amalgamated Grade 4 contest in Bridge of Allan. At the
Worlds, the band placed 10th out of 36 bands in Grade 4b. The band
also won the SPBA March and Discipline Shield at the Worlds that year, a sweet
trophy for an overseas band that rendered a beer celebration at Glasgow’s Drum
& Monkey Pub in St. Vincent Street, the pub owner being one of the supporters; so the bass drum carried its logo.
1999 was also the
last year of the bands successful annual appearances at the Campos do Jordão
music festival, mainly due to Diageo (Johnnie Walker) but sadly not supporting these
presentations anymore. These Campos do Jordão presentations had been an
important fund raiser for SLPB trips to Scotland, so no more appearances at the
festival also meant that we would be absent from the competitions in Scotland
for sometime, although Johnnie Walker still required our presentations
occasionally, for the Brazilian Grand Prix and their whisky festivals…those were however
much more commercial gigs with less budget and not the same musical environment
that had boosted the band when it started in Campos.
If sponsorship was
declining, on the other hand, musical production was flourishing. After
returning from the Scotland tour in 1999, Cristiano began making pipe band arrangements
for two well known Brazilian “baião” style songs originally composed by Luiz
Gonzaga: “Asa Branca” and “Baião de Dois”. These would form a set that would be called“The Brazilian Set”. The inspiration for this came from successful
attempts of creating contemporary bagpipe music that cannot be classified as
marches, strathspeys, reel, jigs and slow airs etc, such as 78th’s
hit “Journey to Skye” and FMM’s “Steam Train to Mallaig”. In Cristiano's words,"I wanted more or less
the same rhythmic effect and climax, so while I borrowed some of the main parts of Gonzaga’s original compositions, some
entirely new parts had to be composed to reach the desired effect. The final
musical result with added harmonies and drums was great and the set naturally
became our show stopper."
In 2000, in
cooperation with the St Andrew Society of Rio de Janeiro, the SLPB played in
the first South American Highland Games, held in Barra, Rio de Janeiro, and
almost entirely funded by St Andrews Rio president James Frew. At the time,
some guests from other South American countries, as well as another band with
pipes turned up, the latter being the band of the Brazilian Marines, which used
the pipes in a similar way as BMWA. "This was my first actual contact with them,
although they were not exactly new to me as BMWA got instruction from Marine
pipers at their start, both bands playing with technique borrowed from other
conventional woodwind instruments due to lack of Highland bagpipe instructors
in Brazil. "
The following
years saw SLPB performing mostly for the British community events in both São
Paulo and Rio de Janeiro and getting involved in the formation of South
America’s first pipe band association, SPBASA, in which Cristiano represented SLPB and
the interests of the whole Brazilian branch of the same association, for no other
Brazilian band was given membership. The SLPB was still Brazil’s first and only pipe
band!
In 2002, Cristiano stepped
down as P/M of the band to invite Norman MacDonald, a former member of Muirhead
& Sons PB,who was working near SP, to take over as P/M. At the same time his brother Marcus (with the departure of our previous L/D Edinei Lima), took over the drum
corps with Norman’s friend Gordon Craig offering drum instruction.
With Norman MacDonald as Pipe Major and Cristiano Bicudo as P/S,
SLPB attended three South American gatherings in a row, in Uruguay, Argentina
and Chile, and by 2007, the Scottish Link finally made it to Scotland and the Worlds. Results, however, were disappointing and the political situation of the
band became unstable.
The Scottish Link competing in Chile at the SA Championships |
In 2008, Cristiano reassumed as P/M and the challenge was to keep the band together.
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